article3DadviceartalademandeartondemandassociationAuroreDelsoirBiographyblackandwhitecareerCercledesArtistesEuropéenscharityCharlottePerrinCollectioncréationcreativityEmerichMeersonenergyEuropeanArtistsCircleEvent - finance - artists exhibitionExpérienceexpositionfavoriteGallerie of SolidarityGallerie SolidaireHafizPanzadImpressionistinterviewJeanMichelDikiPareJoseHigueralightMarcoPerna,MarièleGissingerNaive artNancyNewsoil paintingpaintingpainting,culturepassion artistpassionartistPhilippeDecressacphotophotograhyquestionsculptureVeraIvanajvisibilityYouri Jarkikh
Passionartly.com enlighten Reims, CHAMPAGNE
Among all the talented women selected to compete in the Economy Women's Trophies this year was
rewarded for her dynamism and innovation within the regional economic fabric
and her exemplary professional career.
Aude-Alexandra Beaton, EMBA, Founder of Passionartly.com is a winner
of the silver award Promising Women Entrepreneur.
Passionartly.com and Aude-Alexandra Beaton, EMBA proud to receive a prize
Winner of the silver trophy category Promising leader
“Few things are impossible to diligence and skill. Great works are performed not by strength, but by perseverance.” ― Samuel Johnson
Aude-Alexandra Beaton, EMBA Winner of the silver trophy in the category Promising Female Entrepreneur Award for the Grand East Trophy, she has attended the 4th edition of "Les Femmes de L'Economie" June 20th at Hotel de Ville de Reims , France
The winners were revealed to more than 200 guests, making up the economic environement of the region.
Some of the most sparkling women of the Grand Est region in Reims, Champagne the 4th Trophies of Women in Economy ceremony organized in the Greater East, and chaired this year by Marie-Jo Zimmermann, Sponsor of the event.
MRS BEATON IS THE FOUNDER AND MANAGER OF PASSIONARTLY.COM
INTERNATIONAL ONLINE ART GALLERY
"I keep a general view of things and believe that what really matters remains within detail;
this for lasting results in all my "aiming-higher" actions.
says Aude-Alexandra Beaton, EMBA as "Lauréate" in the category Promising Female Entrepreneur Award
for the Grand East Trophy Alsace Lorraine Sarre, @ 4th edition of "Les Femmes de L'Economie" @Reims , France
Mrs Beaton is the founder and Manager @Passionartly.com international Online Art Gallery. She is also an experienced Manager - Admin & Finance Expert with strong interpersonal, communication skills active for an industrial company
Thank you to all artists who have trusted Passionartly.com since it all started
Thank you to the people who know how difficult entrepreneurship is.
Thank you to my strength and perseverance in achievement.
•The Dynamics of Business Models:
The case of an International Online Art Gallery
AUTHOR: AUDE-ALEXANDRA BEATON, EMBA
AUDE-ALEXANDRA BEATON FOUNDER @PASSIONARTLY.COM HTTP://WWW.PASSIONARTLY.COM
discover also The success of art galleries: a dynamic model with competition and information effects
Painter – Photographer Georges Couvois
Georges Couvois’ first exhibition took place in Lille in 1967, followed by an exhibition at the House of Teachers in 1969.
He was noticed by the Voix du Nord (North regional newspaper) for his "Portrait in Blue."
Then, he worked with Blyweert, Laporte and Abel Leblanc, some famous regional painters.
He has been a member for several years of the Association of Artists (Lille) founded in 1961. He exhibited regularly at the Palais Rihour alongside Ortega Donato, President and Marian Kaczmarek, watercolorist, and other artists of the group. His works have won awards in De Panne and Brussels (Belgium)
Since 2003, he has been a regular exhibitor every year at the Saint Cyr l'Ecole and also won the Audience Award in 2011.
One of his outstanding achievements includes being the author of the portrait of the famous French actor and theater director Robert Hossein, which was presented to him for his 77th birthday at the Palace Paris Convention in 2004.
His last exhibition was held in November 2015 at Theatris in Metz.
Georges is also a photographer and his work can been seen throughout his many travels to Tokyo, New York, Sydney, Berlin, Manila, Santo Domingo, Roma and Paris.
He received the Audience Award in the Photography category in Lille in 2013.
Several pictures have been regularly published in the French magazine Photo, La Tribune or in the Exchange Review.
Georges Couvois says: "You will find below the latest publication appearing in a French magazine,
as well as my latest paintings... to allow you to judge my artistic work."
ITS COLLABORATION BETWEEN NANJING UNIVERSITY OF THE ARTS
"I present you the various axes both in painting and in sculpture or photography, which could be the object of developments with your students."
"Indeed multiple ways are both opened to the pictorial level and at the level of the correlation of the styles."
"I think that these subjects, which ensue from styles actually presented and in development in France and in Europe
on basis of a craze of the art lovers, may bring novelty and be strong for studies and artworks."
His experience includes strong teaching skills in well-known
Universities and he has also a strong practical experience, execution, ability and presentation skills as creator or performer.
The projects he proposes all have the potential ability to upgrade our school’s academic performance in a globalized environment.
MASTER YOURI JARKIKH HAS ATTENDED The NORD ART
Nord Art is the largest exhibition of contemporary art in Europe. On the nor dart 2017, master Youri Jarkikh is represented by 6 Large-scale paintings.
With an official pre-opening ceremony, which also attended numerous invited guests, the exhibition was opened
on Friday, 9. June, at 15 pm, in büdelsdorf / Germany.
At the pre-opening, a guided tour was offered by the huge hall nschiffen of the historic eisengiesserei with 22.000 square meters of floor space.
In the heart of the Carl's hut visitors can look at paintings by Youri Jarkikh.
A Central position of the exhibited images of youri jarkikh takes on the painting " boomerang " which is reported on the first crusade, in 1095, to Jerusalem.
On Saturday, 10. June 2017, at 17 pm, there will be an opening ceremony for visitors.
by elena Elena Garreis
Date on 08/23/2016 at 11:26
« Chaque toile est un voyage, un labyrinthe de petits détails où il faut accepter
de se perdre et tenter d'en comprendre le langage. »
["Each canvas is a voyage, a maze of tiny details where one must accept to get lost and try to understand that language."]
L’Indépendant Journal, 6 July 2014
BIOGRAPHY OF YOURI JARKIKH, A RUSSIAN INTERNATIONAL PAINTER
Youri Aleksandrovich Jarkikh (Jarki),
Passionartly does not only help amateur artists to raise their profile. This company has an
international art approach and shows
much interest in any form of culture and art. It helps boosting the amateur artists' popularity, but it
also works with modern
professionals of the art world.
Youri Jarki gives Passionartly great international visibility. One of his works ("Résurrection", above) has just been purchased by the Louvre museum. At the beginning he was supported by the community. Today he travels around the world for art museums and exhibitions.
BIOGRAPHY OF YOURI JARKI
He is a russian painter who was expelled from his motherland in 1977. He finished his studies at the Moukhina Fine Arts Academy of St. Petersburg. He first moved to Germany and, later, to Paris. He has been living in France since 1978 and decided to permanently settle there.
: Germany, England, Armenia, Austria, Belgium, United States, France, Italy, Japan, Monaco, Russia, Switzerland.
2001 Toulouse, France - Exhibition : Carzou, Jansem, Jarkikh.
2002 Paris, France
- Taylor foundation.
2007 St. Petersburg - St. Paul and St. Peter's foundation - «Alphabet of the poet»
2008 Moscow - KrimskiyVal - «Alphabet of the poet»
2012 Perpignan - Palais de Congrès Espace Maillot
2012 Condom - Art path
2013 Belfort - Gal Cheludiakov
France — Modern Art Museum of Paris, Department of Cultural Affairs, Toulouse-Lautrec Museum in Albi, Seres Franco Collection.
Germany — Haus Beda, Arts and Cultural Centre in Bitbourg.
United States — Dr Norton Dodhe's collection.
Russia — State Russian Museum in Saint Petersburg, Russian Cultural Foundation
Armenia — National Gallery of Armenia.
Master JARKIKH 's WORK
His work releases the Russian soul with full force, we can see Chagall, but also Miro, Klimt, Ernst.
The painful condition of painting in exile has made Jarki acutely aware of his roots. Whatever is the theme he deals with, his approach dissects this existential quartering, exacerbated by a torn visual and emotional memory. Such expression of malaise results in a pictorial vocabulary steeped in the convulsions of a destabilized humanity. The direct and brutal projection of his feelings through a detailed writing dipped in inner anguish is expressed through torn human models, tormented souls whose faces are often disguised or reduced in grotesque features. In the end it is exactly what endows his works with extraordinary intensity due to his art mastering and creative canvas. One becomes speechless before his large format works as they had been punched in their stomach while looking for a "message". But is there a message? He says not. His painting is his own language, he says. Authentic. He has nothing to defend and nobody to convince. His desire? To Enter into communion with those who are like him. Then he follows immaginary cycles as a damned. A well-known example of his religious inclination imbued with orthodox faith: recurrence of crucifixions and barbarity in which he hides his Slavic melancholy blended with sarcastic dissidence. Many iconic paintings worked in golden or silver leaves show a particular technique of Byzantine origin which has been enhanced and restyled by the Western art experience. No place for improvisation. Everything has analytical bases, in the artist's own order. Whichever technique he uses for each immaginary whirl (compositions rich in symbols and cohorts of pregnant women or babies with monster faces) selects alternately oil or acrylic paint, soft hues or muted shades. Yet, his strokes are always impactful, especially to scrape the networks of tiny shapes in which they suffocate the evil tormenting the artist. Jarki's painting is endowed with analytical, complex and surrealist precision and is nourished by the art of his motherland, Russia.
Youri Jarki, Pan
« Un monde où tout se multiplie et se dérobe à l’infini. Mais qui nous happe et nous fascine. »
["A world where everything multiplies and hides endlessly. Yet it attracts and enthralls us."]
Elisabeth Becker, 2013
Date on 06/09/2016 at 13:50
Among those who mark the history of Russian art, Yuri Jarkikh is one of the most outstanding. Born on the sixth of July 1938, his artistic career had a turning point when he took part in the organisation of the second most significant event of the Anti-conformist art: the outdoors exhibition on the fifteenth of September 1974, later called "Bulldozer exhibition". This nickname referred to the bulldozers used by the Soviet regime to destroy all the facilities. Along with Oscar Rabin and Alexander Glezer, two big names of the Anti-conformist art, or "Non-official" art, Yuri Jarkikh and a dozen other Russian artists took the risk to counter the ban to exhibit in public.
Photo: Youri Jarkikh, Alexander Glezer and Oscar Rabin. 1974.
Indeed, all forms of art unfamiliar to the art of the Soviet regime were prohibited. Such art rejection was made known by Nikita Khrushchev in 1962 when he went to the exhibition of the 30th anniversary of the Moscow union of artists, organized by the Russian avant-garde artists. Out of a desire to know what it was like, the first secretary of the Communist Party of the Soviet Union flew into a rage when he saw the abstract and provocative paintings of the artists. Here follows a representative excerpt of his reaction:
“What kind of faces are these? Can you paint at all? My grandson paints better than you! … What the hell is this? Why, are you men or damned paederasts? How dare you paint this! Shame on you!” (Nikita Kchruschev)
Thus, the USSR's clamping down on all the artists violating socialist Realism (heroism, optimism and glory of the Soviet regime) triggered a generation of dissidents and intellectuals with highly developed sensitivity. All artists hiding and living as oppressed and rejected by society, were therefore encouraged to meet in private art circles with avant-garde views. During his exile in Paris, in 1984, Yuri Jarkikh created the Eidos group who exhibited at the National Gallery in Paris in 1985 with Jean-Paul Douziech, a French Surrealist sculptor known for his ironic vision of human slf-reflection. All these Russian intellectual groups embodied the artistic and intellectual modernity during the period between1960 and 1990. The Non-conformist Russian movement ended of course with the fall of the Soviet Empire.
Youri Jarkikh - need for emotions
The beauty and the beast, mixed technique. 114×146.
Yuri Jarkikh's works are colorful, marked by Pollock-style strokes and undefinite shapes. The style of the Russian Non-conformist art includes abstract, provocative and emancipated shapes. The artist's sensitivity is patent in his paintings: the violence of gestures seems to say: "Look, this is the expression of my liberation". His imagination, which censorship retained for too long, finally breaks free on his paintings. Sublime outstands in anyone of Yuri's paintings and the emotional abuse remarkably praises freedom.
The Procustean bed, mixed technique, 114×146
"The Procrustean bed" is a perfect exemple of his ironic political denunciation. In Greek mythology, Procrustes used to throw strangers on a bed and cut their members if they were too long or too small. He became the symbol of conformity and uniformity. Yuri Jarkikh ironically uses this image to denounce the standardization of Socialist art. Yet Youri does not claim to be a committed and reactionary artist. He voluntarily maintains a certain independence because he does not want to reduce his tendency to political criticism.
Yuri Jarkikh is an artist particularly affected by his culture, country and history. Committed to the liberalization of artistic codes in the USSR, he is part of those who continue to influence the history of Russian art. Besides being an artist, he is also a man with great emotional and human qualities.
English version: Nicol Campagnolo